Cultural Interpretation

No wonder then, that in some sort our noble profession of whaling should have been there shadowed forth. The Hindoo whale referred to, occurs in a separate department of the wall, depicting the incarnation of Vishnu in the form of leviathan, learnedly known as the Matse Avatar. But though this sculpture is half man and half whale, so as only to give the tail of the latter, yet that small section of him is all wrong. It looks more like the tapering tail of an anaconda, than the broad palms of the true whale’s majestic flukes.

Issuing from the cabin, Stubb now called his boat’s crew, and pulled off for the stranger. Drawing across her bow, he perceived that in accordance with the fanciful French taste, the upper part of her stem-piece was carved in the likeness of a huge drooping stalk, was painted green, and for thorns had copper spikes projecting from it here and there; the whole terminating in a symmetrical folded bulb of a bright red colour. Upon her head boards, in large gilt letters, he read “Bouton de Rose,”—Rose-button, or Rose-bud; and this was the romantic name of this aromatic ship.

Though Stubb did not understand the Bouton part of the inscription, yet the word rose, and the bulbous figure-head put together, sufficiently explained the whole to him.

“A wooden rose-bud, eh?” he cried with his hand to his nose, “that will do very well; but how like all creation it smells!”