The Moby-Dick Bible
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Themes › Cultural Diversity

Cultural Diversity

3 passages in the novel carry this mark, in the order they appear.

In the complexion of a third still lingers a tropic tawn, but slightly bleached withal; he doubtless has tarried whole weeks ashore. But who could show a cheek like Queequeg? which, barred with various tints, seemed like the Andes’ western slope, to show forth in one array, contrasting climates, zone by zone.

“Grub, ho!” now cried the landlord, flinging open a door, and in we went to breakfast.

Chapter 5, Breakfast · verse 5

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Ah, poor Hay-Seed! how bitterly will burst those straps in the first howling gale, when thou art driven, straps, buttons, and all, down the throat of the tempest.

But think not that this famous town has only harpooneers, cannibals, and bumpkins to show her visitors. Not at all. Still New Bedford is a queer place.

Chapter 6, The Street · verse 6

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It was a sight to see Queequeg seated over against Tashtego, opposing his filed teeth to the Indian’s: crosswise to them, Daggoo seated on the floor, for a bench would have brought his hearse-plumed head to the low carlines; at every motion of his colossal limbs, making the low cabin framework to shake, as when an African elephant goes passenger in a ship. But for all this, the great negro was wonderfully abstemious, not to say dainty. It seemed hardly possible that by such comparatively small mouthfuls he could keep up the vitality diffused through so broad, baronial, and superb a person.

Chapter 34, The Cabin-Table · verse 18

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