Confusion

But the directions he had given us about keeping a yellow warehouse on our starboard hand till we opened a white church to the larboard, and then keeping that on the larboard hand till we made a corner three points to the starboard, and that done, then ask the first man we met where the place was: these crooked directions of his very much puzzled us at first, especially as, at the outset, Queequeg insisted that the yellow warehouse—our first point of departure—must be left on the larboard hand, whereas I had understood Peter Coffin to say it was on the starboard. However, by dint of beating about a little in the dark, and now and then knocking up a peaceable inhabitant to inquire the way, we at last came to something which there was no mistaking.

Two enormous wooden pots painted black, and suspended by asses’ ears, swung from the cross-trees of an old top-mast, planted in front of an old doorway.

Maybe he did kick me, and I didn’t observe it, I was so taken all aback with his brow, somehow. It flashed like a bleached bone. What the devil’s the matter with me? I don’t stand right on my legs. Coming afoul of that old man has a sort of turned me wrong side out. By the Lord, I must have been dreaming, though—How? how? how?—but the only way’s to stash it; so here goes to hammock again; and in the morning, I’ll see how this plaguey juggling thinks over by daylight.”