Spade

Taking a few turns on the quarter-deck, he paused to gaze over the side, then slowly getting into the main-chains he took Stubb’s long spade—still remaining there after the whale’s decapitation—and striking it into the lower part of the half-suspended mass, placed its other end crutch-wise under one arm, and so stood leaning over with eyes attentively fixed on this head.

It was a black and hooded head; and hanging there in the midst of so intense a calm, it seemed the Sphynx’s in the desert.

With his gaff, the gaffman hooks on to a sheet of blubber, and strives to hold it from slipping, as the ship pitches and lurches about. Meanwhile, the spade-man stands on the sheet itself, perpendicularly chopping it into the portable horse-pieces. This spade is sharp as hone can make it; the spademan’s feet are shoeless; the thing he stands on will sometimes irresistibly slide away from him, like a sledge. If he cuts off one of his own toes, or one of his assistants’, would you be very much astonished? Toes are scarce among veteran blubber-room men.

Hark ye, dost thou not ever sing working about a coffin? The Titans, they say, hummed snatches when chipping out the craters for volcanoes; and the grave-digger in the play sings, spade in hand. Dost thou never?”

“Sing, sir? Do I sing? Oh, I’m indifferent enough, sir, for that; but the reason why the grave-digger made music must have been because there was none in his spade, sir. But the caulking mallet is full of it. Hark to it.”