Quarter-Deck

And though of all men the moody captain of the Pequod was the least given to that sort of shallowest assumption; and though the only homage he ever exacted, was implicit, instantaneous obedience; though he required no man to remove the shoes from his feet ere stepping upon the quarter-deck; and though there were times when, owing to peculiar circumstances connected with events hereafter to be detailed, he addressed them in unusual terms, whether of condescension or in terrorem, or otherwise; yet even Captain Ahab was by no means unobservant of the paramount forms and usages of the sea.

Nor, perhaps, will it fail to be eventually perceived, that behind those forms and usages, as it were, he sometimes masked himself; incidentally making use of them for other and more private ends than they were legitimately intended to subserve. That certain sultanism of his brain, which had otherwise in a good degree remained unmanifested; through those forms that same sultanism became incarnate in an irresistible dictatorship.

You would have almost thought they were pulling down the cursed Bastille, such wild cries they raised, as the now useless brick and mortar were being hurled into the sea.

Lord and master over all this scene, the captain stood erect on the ship’s elevated quarter-deck, so that the whole rejoicing drama was full before him, and seemed merely contrived for his own individual diversion.

And Ahab, he too was standing on his quarter-deck, shaggy and black, with a stubborn gloom; and as the two ships crossed each other’s wakes—one all jubilations for things passed, the other all forebodings as to things to come—their two captains in themselves impersonated the whole striking contrast of the scene.