The Moby-Dick Bible
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Literary Motifs › Cultural Contrast

Cultural Contrast

2 passages in the novel carry this mark, in the order they appear.

They say that men who have seen the world, thereby become quite at ease in manner, quite self-possessed in company. Not always, though: Ledyard, the great New England traveller, and Mungo Park, the Scotch one; of all men, they possessed the least assurance in the parlor. But perhaps the mere crossing of Siberia in a sledge drawn by dogs as Ledyard did, or the taking a long solitary walk on an empty stomach, in the negro heart of Africa, which was the sum of poor Mungo’s performances—this kind of travel, I say, may not be the very best mode of attaining a high social polish.

Chapter 5, Breakfast · verse 6

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TAHITAN SAILOR. (Reclining on a mat.) Hail, holy nakedness of our dancing girls!—the Heeva-Heeva! Ah! low veiled, high palmed Tahiti! I still rest me on thy mat, but the soft soil has slid! I saw thee woven in the wood, my mat! green the first day I brought ye thence; now worn and wilted quite. Ah me!—not thou nor I can bear the change! How then, if so be transplanted to yon sky? Hear I the roaring streams from Pirohitee’s peak of spears, when they leap down the crags and drown the villages?—The blast! the blast! Up, spine, and meet it! (Leaps to his feet.)

Chapter 40, Midnight, Forecastle · verse 12

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