The Moby-Dick Bible
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Literary Motifs › Contrast

Contrast

8 passages in the novel carry this mark, in the order they appear.

Again, I always go to sea as a sailor, because they make a point of paying me for my trouble, whereas they never pay passengers a single penny that I ever heard of. On the contrary, passengers themselves must pay. And there is all the difference in the world between paying and being paid. The act of paying is perhaps the most uncomfortable infliction that the two orchard thieves entailed upon us.

Chapter 1, Loomings · verse 21

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But seeing that it was not at all limber, and that it glistened a good deal like polished ebony, I concluded that it must be nothing but a wooden idol, which indeed it proved to be. For now the savage goes up to the empty fire-place, and removing the papered fire-board, sets up this little hunch-backed image, like a tenpin, between the andirons. The chimney jambs and all the bricks inside were very sooty, so that I thought this fire-place made a very appropriate little shrine or chapel for his Congo idol.

Chapter 3, The Spouter-Inn · verse 60

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This ended, in prolonged solemn tones, like the continual tolling of a bell in a ship that is foundering at sea in a fog—in such tones he commenced reading the following hymn; but changing his manner towards the concluding stanzas, burst forth with a pealing exultation and joy—

Chapter 9, The Sermon · verse 2

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He would say the most terrific things to his crew, in a tone so strangely compounded of fun and fury, and the fury seemed so calculated merely as a spice to the fun, that no oarsman could hear such queer invocations without pulling for dear life, and yet pulling for the mere joke of the thing. Besides he all the time looked so easy and indolent himself, so loungingly managed his steering-oar, and so broadly gaped—open-mouthed at times—that the mere sight of such a yawning commander, by sheer force of contrast, acted like a charm upon the crew. Then again, Stubb was one of those odd sort of humorists, whose jollity is sometimes so curiously ambiguous, as to put all inferiors on their guard in the matter of obeying them.

Chapter 48, The First Lowering · verse 9

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All alive to his jeopardy, he was going “head out”; that part obliquely projecting from the mad yeast which he brewed.*

*It will be seen in some other place of what a very light substance the entire interior of the sperm whale’s enormous head consists. Though apparently the most massive, it is by far the most buoyant part about him. So that with ease he elevates it in the air, and invariably does so when going at his utmost speed. Besides, such is the breadth of the upper part of the front of his head, and such the tapering cut-water formation of the lower part, that by obliquely elevating his head, he thereby may be said to transform himself from a bluff-bowed sluggish galliot into a sharppointed New York pilot-boat.

Chapter 61, Stubb Kills a Whale · verse 9

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His boat’s crew were all in high excitement, eagerly helping their chief, and looking as anxious as gold-hunters.

And all the time numberless fowls were diving, and ducking, and screaming, and yelling, and fighting around them. Stubb was beginning to look disappointed, especially as the horrible nosegay increased, when suddenly from out the very heart of this plague, there stole a faint stream of perfume, which flowed through the tide of bad smells without being absorbed by it, as one river will flow into and then along with another, without at all blending with it for a time.

Chapter 91, The Pequod Meets The Rose-Bud · verse 26

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Poor Pip! ye have heard of him before; ye must remember his tambourine on that dramatic midnight, so gloomy-jolly.

In outer aspect, Pip and Dough-Boy made a match, like a black pony and a white one, of equal developments, though of dissimilar colour, driven in one eccentric span. But while hapless Dough-Boy was by nature dull and torpid in his intellects, Pip, though over tender-hearted, was at bottom very bright, with that pleasant, genial, jolly brightness peculiar to his tribe; a tribe, which ever enjoy all holidays and festivities with finer, freer relish than any other race.

Chapter 93, The Castaway · verse 3

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And thus, while the one ship went cheerily before the breeze, the other stubbornly fought against it; and so the two vessels parted; the crew of the Pequod looking with grave, lingering glances towards the receding Bachelor; but the Bachelor’s men never heeding their gaze for the lively revelry they were in. And as Ahab, leaning over the taffrail, eyed the homeward-bound craft, he took from his pocket a small vial of sand, and then looking from the ship to the vial, seemed thereby bringing two remote associations together, for that vial was filled with Nantucket soundings.

Chapter 115, The Pequod Meets The Bachelor · verse 7

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