Contemplation

There stand his trees, each with a hollow trunk, as if a hermit and a crucifix were within; and here sleeps his meadow, and there sleep his cattle; and up from yonder cottage goes a sleepy smoke. Deep into distant woodlands winds a mazy way, reaching to overlapping spurs of mountains bathed in their hill-side blue. But though the picture lies thus tranced, and though this pine-tree shakes down its sighs like leaves upon this shepherd’s head, yet all were vain, unless the shepherd’s eye were fixed upon the magic stream before him.

It stood on a sharp bleak corner, where that tempestuous wind Euroclydon kept up a worse howling than ever it did about poor Paul’s tossed craft. Euroclydon, nevertheless, is a mighty pleasant zephyr to any one in-doors, with his feet on the hob quietly toasting for bed. “In judging of that tempestuous wind called Euroclydon,” says an old writer—of whose works I possess the only copy extant—“it maketh a marvellous difference, whether thou lookest out at it from a glass window where the frost is all on the outside, or whether thou observest it from that sashless window, where the frost is on both sides, and of which the wight Death is the only glazier.”

For sleeping man, ’twas hard to choose between such winsome days and such seducing nights. But all the witcheries of that unwaning weather did not merely lend new spells and potencies to the outward world. Inward they turned upon the soul, especially when the still mild hours of eve came on; then, memory shot her crystals as the clear ice most forms of noiseless twilights.

“I was never served so before without giving a hard blow for it,” muttered Stubb, as he found himself descending the cabin-scuttle. “It’s very queer. Stop, Stubb; somehow, now, I don’t well know whether to go back and strike him, or—what’s that?—down here on my knees and pray for him? Yes, that was the thought coming up in me; but it would be the first time I ever did pray. It’s queer; very queer; and he’s queer too; aye, take him fore and aft, he’s about the queerest old man Stubb ever sailed with. How he flashed at me!—his eyes like powder-pans! is he mad? Anyway there’s something on his mind, as sure as there must be something on a deck when it cracks.

‘Why,’ thinks I, ‘what’s the row? It’s not a real leg, only a false leg.’ And there’s a mighty difference between a living thump and a dead thump. That’s what makes a blow from the hand, Flask, fifty times more savage to bear than a blow from a cane. The living member—that makes the living insult, my little man. And thinks I to myself all the while, mind, while I was stubbing my silly toes against that cursed pyramid—so confoundedly contradictory was it all, all the while, I say, I was thinking to myself, ‘what’s his leg now, but a cane—a whalebone cane.

Yonder, by ever-brimming goblet’s rim, the warm waves blush like wine. The gold brow plumbs the blue. The diver sun—slow dived from noon—goes down; my soul mounts up! she wearies with her endless hill. Is, then, the crown too heavy that I wear? this Iron Crown of Lombardy.

It was a cloudy, sultry afternoon; the seamen were lazily lounging about the decks, or vacantly gazing over into the lead-coloured waters. Queequeg and I were mildly employed weaving what is called a sword-mat, for an additional lashing to our boat. So still and subdued and yet somehow preluding was all the scene, and such an incantation of reverie lurked in the air, that each silent sailor seemed resolved into his own invisible self.

Yet dost thou, darker half, rock me with a prouder, if a darker faith. All thy unnamable imminglings float beneath me here; I am buoyed by breaths of once living things, exhaled as air, but water now.

“Then hail, for ever hail, O sea, in whose eternal tossings the wild fowl finds his only rest. Born of earth, yet suckled by the sea; though hill and valley mothered me, ye billows are my foster-brothers!”