Perseus

But go to the old Galleries, and look now at a great Christian painter’s portrait of this fish; for he succeeds no better than the antediluvian Hindoo. It is Guido’s picture of Perseus rescuing Andromeda from the sea-monster or whale. Where did Guido get the model of such a strange creature as that? Nor does Hogarth, in painting the same scene in his own “Perseus Descending,” make out one whit better.

There are some enterprises in which a careful disorderliness is the true method.

The more I dive into this matter of whaling, and push my researches up to the very spring-head of it so much the more am I impressed with its great honorableness and antiquity; and especially when I find so many great demi-gods and heroes, prophets of all sorts, who one way or other have shed distinction upon it, I am transported with the reflection that I myself belong, though but subordinately, to so emblazoned a fraternity.

The gallant Perseus, a son of Jupiter, was the first whaleman; and to the eternal honor of our calling be it said, that the first whale attacked by our brotherhood was not killed with any sordid intent.

Those were the knightly days of our profession, when we only bore arms to succor the distressed, and not to fill men’s lamp-feeders. Every one knows the fine story of Perseus and Andromeda; how the lovely Andromeda, the daughter of a king, was tied to a rock on the sea-coast, and as Leviathan was in the very act of carrying her off, Perseus, the prince of whalemen, intrepidly advancing, harpooned the monster, and delivered and married the maid. It was an admirable artistic exploit, rarely achieved by the best harpooneers of the present day; inasmuch as this Leviathan was slain at the very first dart.

And let no man doubt this Arkite story; for in the ancient Joppa, now Jaffa, on the Syrian coast, in one of the Pagan temples, there stood for many ages the vast skeleton of a whale, which the city’s legends and all the inhabitants asserted to be the identical bones of the monster that Perseus slew. When the Romans took Joppa, the same skeleton was carried to Italy in triumph. What seems most singular and suggestively important in this story, is this: it was from Joppa that Jonah set sail.

Akin to the adventure of Perseus and Andromeda—indeed, by some supposed to be indirectly derived from it—is that famous story of St. George and the Dragon; which dragon I maintain to have been a whale; for in many old chronicles whales and dragons are strangely jumbled together, and often stand for each other. “Thou art as a lion of the waters, and as a dragon of the sea,” saith Ezekiel; hereby, plainly meaning a whale; in truth, some versions of the Bible use that word itself. Besides, it would much subtract from the glory of the exploit had St. George but encountered a crawling reptile of the land, instead of doing battle with the great monster of the deep.

Any man may kill a snake, but only a Perseus, a St. George, a Coffin, have the heart in them to march boldly up to a whale.

Let not the modern paintings of this scene mislead us; for though the creature encountered by that valiant whaleman of old is vaguely represented of a griffin-like shape, and though the battle is depicted on land and the saint on horseback, yet considering the great ignorance of those times, when the true form of the whale was unknown to artists; and considering that as in Perseus’ case, St. George’s whale might have crawled up out of the sea on the beach; and considering that the animal ridden by St. George might have been only a large seal, or sea-horse; bearing all this in mind, it will not appear altogether incompatible with the sacred legend and the ancientest draughts of the scene, to hold this so-called dragon no other than the great Leviathan himself. In fact, placed before the strict and piercing truth, this whole story will fare like that fish, flesh, and fowl idol of the Philistines, Dagon by name; who being planted before the ark of Israel, his horse’s head and both the palms of his hands fell off from him, and only the stump or fishy part of him remained.